Tuesday, July 24, 2012

Ashes to Lashes, Dust to Design - VCUQ MFA Thesis by Rania Chamsine...

Hair Ball Beard/ Necklace...

Following the two previous posts, it seemed only appropriate also include an entry on one of our own recent MFA graduates, Rania Chamsine (whose project I supervised)... Its title Ashes to Lashes, Dust to Design, which was chosen during the projects initial phase, is slightly misleading, as the project ended up focusing mainly on the design based re-appropriation of discarded hair (you can read the project abstract by clicking the image below). Her project is, however, a prime example of a project that (in its own individualistic way) summarizes what the, still newly established, MFA Department is attempting to achieve and explore - the notion of what interdisciplinary design practice entails...

Rania and her colleagues' thesis projects examine, each in their own way, various universal issues, but which here were inevitably approached from a regional and culturally reflective and relevant perspective. The outcomes of most project are difficult to affiliate with any particular discipline, as their founding suppositions were based more on personalized insights rather than on know-how and nous specific to any single branch of knowledge. This is the way it should be, although it often does give rise to a very challenging process for both the students as well as faculty. Accepting the innately hybrid way designers mostly work - and opening the brief, any brief, to influences beyond the usual frameworks and constraints defined by a set field of study - stimulates and introduces a novel set of (often unexpected) paradigms that are defined according to the actual empirical findings found during the research and defining phase of a project, rather than being based on pre-existing assumptions... Something I feel that design research involved at a post-graduate level should, as a matter of course, embrace...

There is an intrinsic beauty in the vagueness in the inter component of interdisciplinary design that opens it up to a variety of subjective interpretations of what this type of academic design praxis entails. This quality of dynamic openness should be celebrated and allowed to adapt along with the times and accompanying, also evolving, student body... 


Portraits: Rania Chamsine (with the assistance of Sarah Lauck)
Model: Sarah Lauck
Main Advisor: Thomas Modeen
Associate Advisors: Alia Farid & Rhys Himsworth
Additional Advisor: Constantin Boym
Technical Advisor: Khaled Saoud
Reader: Michael Wirtz

 Rania's Thesis Abstract...


Above & Below: Hair-Ball Beard/ Necklace...



Above & Below: Hair Crown/ Beard/ Necklace...






Above & Below: Hair Head-Scarf...





Hair Print Hair-Scarf... 


 Hair-Ball Ear-Ring...


Brush-Rings...

 Beard-Brush Ring...

Eye-Brow Rings... 

Brass-Knuckle Brush... 


 Case-Study: Hair with Plaster...

Case-Study: Hair & Plaster Tile...

Case-study: Hair Etched into Copper ...

Case-Study: Hair infused with Golden Nano-particles...


The Display Cubes of the MFA Thesis Exhibition... 

The Interior of Rania's Cube...


A walkthrough video showing Rania's MFA Thesis exhibit. The video also includes a bit of fellow graduate Imad Fadel's exhibit. Unfortunately it ends abruptly in the middle as my camera ran out of memory...

Thursday, July 12, 2012

The Bartlett End of the Year Exhibition, London...


Continuing on from the last blog entry, which showed some images from the AA Projects review. Included here are some pictures from the Bartlett, again shown in no particular order... 















Wednesday, July 11, 2012

AA Project Review, London...


A few images (presented in no particular order) from the ongoing Projects Review exhibition taking place at the AA. I had a chance to also visit the Bartlett's End of the Year exhibition, shown in the next blog-post. Almost every summer I visit these annual exhibitions, and I'm still constantly amazed by both the quantity and quality of some of the work. These two institutions remain the standard setters of both architectural design work and theory... 

The AA Projects Review finishes on July 14...


Architect Jeff Turko can be observed in the back...  










Wednesday, June 27, 2012

Design Details No. 5 - Laser-Cut Mashrabiya - the Making of...


A few images, and a short video, of the previous post's laser-cut mashrabiya's design and fabrication process... Initially the intention was to make a set of mashrabiyas out of a single sheet laser cut. Unfortunately, due to various logistical mismatches, we weren't able to get them fabricated in the UK and had to get them made locally in Qatar, which in this instance resulted in us using the Fab-Lab at VCUQ. This entailed that all the panels had to fit within the build-frame of the Labs laser-cutter, which only allows for cuts (or etchings) no larger than 60 by 45 cm in size. This introduced its own set of assembly related issues, as the mashrabiya had to cover a window roughly 125 by 250 cm in size... 

In the end though, it all worked out very well, and the installed mashrabiya seemed to be very well received. Even the, very subtle - almost moire like - 'flickering' (see clip below) of the panels worked out well due to the  adjacent AC outlet... 

For earlier examples of laser-cut mashrabiyas we've made, please click here ,here, here, and here... 




Above and Below: The Velcro (hook & Loop) attachment panels by which all the design's elements are suspended...



Above and Below: Close-ups of some of the mashrabiya panels...



Above and Below: Sketches showing/ proposing how the panels should be attached to the window soffit...



Some close-up details of some of the mashrabiya panels...



A short video showing some initial test exploring the 'flicker effect' of some of the mashrabiya panels...


Some earlier tests of cutting patterns and different paper types (including Arabic newspapers) and paper treatments...

Friday, June 22, 2012

HOME Exhibition - Presented by the Museum of Architecture at the Mosaic Rooms, London...

The Mosaic Rooms on Cromwell Road, London...


We're currently exhibiting some work (a laser-cut mashrabiya) at the London based Museum of Architecture's inaugural exhibition, titled Home, currently on display at the Mosaic Rooms located on London's Cromwell Road.

The work was realized in collaboration with our London based partners, Independent Architects...

This is our second ongoing exhibition dealing with the theme of 'home' this summer... 

You can read more about this exhibition by clicking here...

The exhibition concludes on July 7, 2012...